Jesse Chun Jesse Chun

on paper

ON PAPER
________
chapter i. landscapes
chapter ii. blueprints
chapter iii. forms



landscapes, installation view, 2016








landscape #10



































landscapes; forms; blueprints
; installation view, 2016







blueprints, installation view, 11 x 8.5 inches each, pigment prints on layered vellum papers, acrylic, 2016















blueprints, close-up, 11 x 8.5 inches each, layered pigment prints on vellum paper






forms,
installation view, 2016


close-up text







close-up text










On Paper
Spencer Brownstone Gallery, New York, 2016

On Paper
investigates the bureaucratic language involved in immigration, migration, and mobility. Using various passports and immigration documents that are largely from a familial archive, the paperworks' visual and linguistic narratives are re-interpreted into landscapes, abstractions, and poetry. In Landscapes, the watermarked background imagery of various passports are transformed into large-scale landscapes using scanning, erasure, and digital manipulation. Removed from the found national marker and traveler's data, the landscapes are re-articulated as portraits of ubiquitous, unbound and nameless lands. In Forms, various immigration documents are redacted into poetry using a selective erasure. In Blueprints, all texts are removed from the documents, leaving only the skeletal frames onto layered pages of transluscent blueprint paper. Through subverting the power of the bureaucratic imagery, text, and symbols, On Paper considers new poetics for diaspora, conditions of languaging, and belonging.