Jesse Chun Jesse Chun

on paper


ON PAPER
________
chapter i. landscapes
chapter ii. blueprints
chapter iii. forms




landscape #10







landscapes, installation view, 2016



































landscapes; forms; blueprints
; installation view, 2016







blueprints, installation view, 11 x 8.5 inches each, pigment prints on layered vellum papers, acrylic, 2016















blueprints, close-up, 11 x 8.5 inches each, layered pigment prints on vellum paper






forms,
installation view, 2016



close-up text












close-up text










On Paper
Spencer Brownstone Gallery, New York, 2016

On Paper
utilizes digital manipulation and redaction to re-interpret various passports and immigration documents that are largely from the artist's familial archives. Using a scanner as a camera, the paperworks' bureaucratic language is recontextualized and subverted into landscapes, abstractions, and poetry. In Landscapes, the watermarked imagery of various passport pages are transformed into large-scale landscapes of ubiquitous and unbound nature that are devoid of the national markers and traveler's data. In Forms and Blueprints, a selective erasure of immigration documents is employed to re-author the visual and linguistic narrative, and the stacks of documents are scanned into abstractions that record their volume and physicality. On Paper presents other translations of the categorical data, symbols and language involved in navigating from one place to another.